Broadcaster & Curator.

NEWS. Fat Planet Returns – on Double J

Many moons ago, my radio program Fat Planet boomed out of the FBi Radio transmission tower, spreading a heady diet of brand new music from all around the world, and together we laughed and danced and cried and made merry for many years. Flash forward to 2017, and I’m super-stoked to tell you that Fat Planet is returning, with the same curatorial mission – to uncover vital sounds from music cultures around the globe. This time around, Fat Planet finds it home with the genius ...

NEW MUSIC. From Xiu Xiu and Twin Peaks, to freak-folk and makeshift shrines – My 2016 Moments In Music

Whilst contemplating some of my favourite music from 2016, I realised that a bullet list holds many secrets; that choices shared in public are often born of intimate moments. And so here a few such moments, tales that needed to be told, to cast much-needed light on the year gone by. 1. Listening to Xiu Xiu playing The Music Of Twin Peaks, whilst in Twin Peaks When I decided to take a short trip through the U.S. northwest, I knew that I could cross something special off the bucket list ...

NEWS. Who The Hell Interview

“[It’s] frustrating and validating in equal measure … a process of recalibrating my own expectations. It’s a weird fucking time to be releasing music.” I was interviewed by whothehell.net about Provenance and apparently I decided that it was cool to swear heaps. That said, this is a generous overview of my work to date and the genesis / early days of Provenance. It also reaffirms once again that I have a masterful knack of making a rod for my own back. Read the full ...

NEW MUSIC. Medicine Voice – ‘The Roman / Crossing The Fourth Threshold’

‘The Roman / Crossing The Fourth Threshold’ is the new single from Medicine Voice, the second track to be singled-out from the album ‘I And Thou‘ (out now on Provenance). To mark the moment, Medicine Voice has collaborated with artists Louisa Clayton and Kevina-Jo Smith on a beautiful new film clip, shot on location in the Blue Mountains. Sar also had some words to say about the film, about hope, about Standing Rock, which you can read on the Provenance web site.

NEWS. DJ Set at Neon Fern

Saturday 26 November I’ll be rolling out my Beau Kannon alias for a DJ set at Neon Fern a night of “dark techno, leftist pop and electronica”, and of course ferns. Taking place at Baroque in Katoomba, there are also sets from Melty, Ghostgirl (whose new album A.I. Ambient Intimacy was released earlier this week), Mannheim Rocket (3BS Records) and Broken Chip. Plus digital installations from Mark Sabb of U.S. online mag Felt Zine.  Tickets and info on Facebook.

NEW MUSIC. Aphir – ‘No Muse’

New on Provenance: The result of many long conversations and a mutual appreciation of the wisdom of Dale Cooper – the new single from Becki Whitton aka Aphir aka an artist who was once dubbed “equal parts Kate Bush and Bjork”. What’s not to love? This is the first taste of Becki’s upcoming album ‘Twin Earth’, due on Provenance in early 2017, and follows a series of self-released singles and her 2015 debut album ‘Holodreem’.

NEW MUSIC. Lovely Head – ‘Show Up’

Super-excited to finally release the excellent ‘Always’ EP from Lovely Head through Provenance – a six-track experimental pop EP from Sydney producer, ex-No Art guitarist & writer Vivian Huynh. Exploring themes of tension, distance and lust, ‘Always’ is a combination of desert guitar, misshapen beats and quiet longing. Available on digital and super-limited lathe cut 10” vinyl, shipped with full-colour sleeve print. The video for the lead track ‘Show ...

NEW MUSIC. New on Provenance – Lovely Head

Last year, when I started to think about the artists that I was keen to have in the Provenance family, Vivian Huynh was an early addition to the list. I loved No Art and was a superfan of her solo work as Lovely Head. I’m stoked that Viv agreed to come on board, and doubly stoked to be releasing her new Lovely Head EP ‘Always’ on 21st October. The EP follows her collaborative release EP with Pendant earlier this year – stream the lead track ‘Show Up’ ...

PODCAST. Out From Under #25 – New music from My Disco, Garry Bradbury, John Chantler and more

Out From Under #25 is a mix of new music released in September 2016 featuring work from Severed Heads alumni Garry Bradbury and Room40 mainstay John Chantler; Regis takes on MY DISCO (pictured) in a remix for the Downwards label; Blake Freele & Sam Price drop a new collaboration; we tackle brute noise from Blut; and also hear new work from Panoptique Electrical, Pale Earth, Cooper Bowman, Harrow, H∃✖†⏄P∄, FATE ÆFFECT and Catfingers. Originally broadcast on Resonance Extra, 22 September 2016.

PODCAST. Out From Under #23 – Scattered Order & M-Squared (Part I)

Whilst the legacies of post-punk, DIY electronics and proto industrial are widely known and documented in the UK and US scenes, their impact in an Australian context is less widely recognised. Bonding over the discovery of Cabaret Voltaire imports in Sydney record stores, Scattered Order formed in 1979 and gorged on a wide range of inputs to create a sound and visual aesthetic that was unique in Australia at the time. Together they also formed the label M Squared and fostered an impressive ...

PODCAST. Out From Under #22 – Rand & Holland

Brett Thompson has been the guiding force in the Australian band Rand & Holland for nearly fifteen years, but its been a tumultuous and often torturous ride. Widespread love for their lo-fi folk debut led to a polished pop follow up that furthered their critical acclaim whilst also setting in place a chain of events that led to the band conducing an artistic volte-face. They recorded a dark, intense and experimental third album, polarising audiences at a short series of live shows ...

NEW MUSIC. Aphir & Anej Kocevar – ‘Cold Space’

I am the type of Aphir fan who will think nothing of assembling a cheer squad to turn up at her gigs wearing matching t-shirts and furiously waving pom poms. I am thus immensely excited that she is joining the Provenance family for her upcoming album, due later this year. I have already sneakily teased her involvement – she contributed vocals to Spartak‘s EP ‘I Fought The Style’; she dropped the track ‘Cold Space’ on the label sampler ‘Marks Of ...

Out From Under #21 – New music from Fia Fiell, ju ca, Wives, Bright Sea and more

In this week’s episode of Out From Under, we hear new music from Melbourne electronic producer ju ca; Canberra’s Wives get remixed by Enderie Nuatal; there’s two releases from Hyperborea and Fia Fiell (pictured) through cassette label Nice Music ; new work from Cold House member Morgan McKellar recording as Bright Sea, plus tracks from TEEF Records charity compilation ‘Imperium In Imperil II’ featuring Making, Hence Therefore and Tracy Chen. Originally broadcast on Resonance Extra, 11 ...

New on Provenance – Lortica

Lortica writes tracks using an omnichord, piano, synthesizer, samples and fabricated trombones, before wrestling the source material into a punishing ordeal of pitching, stretching and heavy effects treatments. I adored his debut album ‘Mialle Tapes’ released on Phinery and Feral Media in 2014, and I’m likewise smitten with the follow-up ‘Phellemens‘, which I will be releasing on Provenance on 26 August 2016. Watch the video for ‘FL II’ from ‘Phellemens’ above. ...

Medicine Voice – ‘Aham / Realm of The Wild Woman’

Two years ago, Sar Friedman sent me her album ‘I And Thou‘ and asked if I wanted to release it. I adored it, to me it sounded like Bat For Lashes backed by Sunn O))) – a beautiful combination. But I didn’t have a record label, so I declined Sar’s offer. Another year went by, and Sar asked me again. I thought “if no one else is going to release this, I’ll just need to start a label and release it myself.” And here we are. Provenance is a real ...

Out From Under #20 – Andy Rantzen & Jochen Gutsch (Hinterlandt)

On this week’s Out From Under, artists Andy Rantzen and Jochen Gutsch discuss their new collaborative project, which fuses Andy’s poetic spoken lyrics and Jochen’s diverse musical background, recording and performing as Hinterlandt. Highly conscious of the potential pitfalls of fusing poetry and experimental music, Andy and Jochen carve a path to an outcome that is tense and fascinating and compels you to listen close. We also hear music from Jochen’s Hinterlandt Ensemble and take in back ...

First records now available on Provenance

It has been a mental marathon getting here, but the day has arrived. The first three records from my Provenance label are all now available from wherever you buy your music. iTunes, Google Play, Bandcamp, Amazon and so on and so it goes. Vinyl & Cassette editions also available through the online store, or can be ordered via your local record emporium (Repressed in Newtown already has a few vinyls). You’ll find them in all these places, waiting to be loved, yelping to be taken home. ...

Out From Under #19 – New Music from Scraps, Half High, Lortica and more

This week’s Out From Under is another in our new music playlist series, presenting a selection of underground and experimental work being made right now in Australia. We check out two compilations both surveying experimental electronic terrain – from labels Butter Sessions and Iceage Productions; music from two Canberra labels, Dream Damage and Moontown Records, featuring Danger Beach and Scraps (pictured); new releases from Sydney artists M.O.B. and Lortica; abstract sounds from Sam ...

Out From Under #18 – Martyn Palmer (Broken Chip / Hidden)

Electronic artist Martyn Palmer has been recording calm and tranquil sounds as Broken Chip for many years, but in recent months something fundamental has changed – precipitating a shift from light to dark, from tranquil to anxious, culminating in a new project under the alias Hidden. In this week’s episode of Out From Under, we hear from Martyn Palmer about his new work, the impetus for the shift in direction and how it contrasts with his work as Broken Chip – taking in an ...

Out From Under #17 – Archival: The 1970s (Part II)

This episode of Out From Under is the second in a series which looks backwards to the early years of experimental music making in Australia. We explore the latter half of the 1970s, taking in the electroacoustic and multi-media collective WATT; early avant-garde work from renowned figure Carl Vine; prototype tape experiments from the foundation days of Severed Heads; Western Australian composer Ron Nagorcka whose work took a turning point on discovering John Cage; incredible acoustic ...