As a long-time fan of Oneohtrix Point Never, I was disheartened that his last album Garden Of Delete was so difficult to love. It was a bloody-minded record, daring us to enjoy a dense, arhythmical odyssey, all the while knowing that it was essentially impenetrable. Thankfully, the follow-up is almost a complete U-turn, rippling with beautiful broken vocoder pop, lush electronics and a starring role for the harpsichord. It’s as bold as it is unorthodox, a breath-taking revision of electronic music and modern composition. It proves that true originality and innovation need not repel, but can instead deliver a warm embrace, and reassure us that this Age Of… whatever is going to work out just fine.
Venturing deep into marginal music scenes from outside of the Anglo-American axis, with radical music from India, Poland, Portugal, China, Russia and Democratic Republic of Congo.
In this episode, we take in radical and divergent sounds from Greece, Turkey, Colombia, Tunisia, Tanzania, Japan, Ukraine and more. We kick off with a true contender for my album of the year ‘Ofiodaimon’ – the psych-folk & synth collaboration from the Greek producer Anatolian Weapons and folk musician Seirios Savvaidis.