Double J’s all-month-long 90s retrospective continues this week with another ‘Best Of’ list, sure to have a few of you wailing at both the inclusions and exclusions. ‘The 50 most overlooked songs of the 90s‘ includes a few contributions from me, including tunes from 808 State, Cibo Matto (pictured), Transglobal Underground, The Justified Ancients of Mu Mu and GusGus.
Was the 90s the greatest decade in music?
That’s the question Double J is asking all throughout June, as they go deep on the decade that shaped so many of us musically. There are charts galore as part of the 90s celebration, starting with ‘The 50 best Australian songs of the 90s’. Despite growing up in Scotland during the 90s, I wasn’t entirely oblivious to the Australian music scene. There were a few choice acts that made their way up and over the crest of the globe, but only one of my favourites has made its way into this particular ‘Best Of…’ list.
TheI’ll be presenting an alternative Eurovision on Fat Planet this week – bringing you soul from Slovenia, dream pop from Portugal, hip-hop from Poland along with music from over 20 countries in a two hour alternative Euro special.
Often our knowledge of music from other countries is limited to what we might call ‘novelty’ acts – or those that seem so absurd to our Western ears, that they scream for attention. For example, can you name any Korean artist or song other than Psi and ‘Gangnam Style’?
Even Russia is not immune to the curse of the novelty. Perhaps their best known export is Pussy Riot, who rode to international attention on a wave of anti-Putin sentiment clad in balaclavas, smashing the oligarchy, patriarchy or any other kind of hierarchy they could stomp their boots on.
This week, Fat Planet returns to the radio after a multi-year hiatus – now broadcasting nationally on Double J on ABC Radio.
Every week, I’ll be introducing you to some of the great music from around the world – but it’s not a ‘world music’ show. If you’re unsure what that means, I’ve prepared some notes on a few new tracks that will kick off your Fat Planet journey just nicely.
New Weird Australia was featured in Mess & Noise, ahead of the inaugural Sound Summit Showcase in October 2009, in a Q&A article by Kate Hennessy. Interview reprinted below. New Weird Australia (NWA) slipped onto the scene in July 2009,
NWA was featured in this week’s issues of Sydney street press titles The Brag and Drum Media, ahead of next week’s Sound Summit Showcase. Click on the thumbnail below to view the feature:
Sydney writer and broadcaster Lee Tran Lam recently interviewed me for the tenth issue of her beautiful Speak-easy zine. Without wishing to descend into a mutual ‘love-in’, Lee Tran commitment and dedication to the local music and culture scene is
This week I’ll be on a panel at Sound Summit in Newcastle titled ‘LICENCE TO ILL: LEGALITIES, LICENSING, IMPLICATIONS AND IMPLEMENTATIONS!’ described as “Key representatives from APRA, the PPCA and Creative Commons join artists and industry to discuss the latest
24:7 was a short-lived free London street press title that operated at the tail end of 1997 and early 1998. At the time, there was nothing else quite like it in the market, but entering a market dominated by Time Out
Originally published on Fat Planet. Spare a thought for poor Gen-Xers like me – the generation Wikipedia describes as “apathetic, cynical, disaffected, streetwise loners and slackers”. A disgraceful slur – I’m sure most X-ers would agree, and one that would
Originally published on Fat Planet. For as long as there has been scientific study and for as long as there has been art, the two disciplines have made for curious bedfellows. Over the centuries, they have been both repelled and
Originally published on Fat Planet. with a guest list that includes ttc, maximo park, paul st hillaire and mr thom yorke, expectations were going to be sky-high for modeselektor‘s new album ‘happy birthday’. for the last two weeks, it’s been
This article originally appeared in London street press title ’24:7′ shortly before its premature demise in the early days of 1998. Although edited, designed and ready to print, this particular issue never made it to press. On hearing the title
This is the third and final part of the Ninja Tune trilogy (1,2) – an interview commissioned by Ninja Tune for their own magazine, The Pipe. On the couch were Chocolate Weasel – Mark Royal (aka T-Power) and Cris Stevens
When working for 24:7 in London, I was lucky enough to spend an hour or so in a pub with Baldur Stefansson from Icelandic collective Gus Gus. Every band has their own story to tell about their rise to fame, however