Category: Fat Planet
Fat Planet breaks new world records every week on the Double J show and then plays the highlight reel on its Spotify playlist. New adds this week from Yama Warashi, Onipa, Ziminio, Baba Commandant, Nova Materia, Farao, Cyril Cyril, Sunna and more. New program episodes Weds 8pm AEST. Stream at abc.net.au/doublej.
Did I tell you that I spoke to Björk on the telephone? No? Surprising, as I tell EVERYONE that I meet, EVERY DAY 🙂 I’m still pinching myself, one year later … To tie in with my 2017 Björk interview on Double J, I created a Spotify playlist that takes a trip through the flip side of her career – early work, B-sides, remixes, album cuts and rare collaborations. If you think you know Björk, this might help you to think again.
My Double J show Fat Planet started on FBi Radio back in August 2003, showcasing new music from around the world, such as Scandinavian folk, Japanese dubstep and Chilean post-punk and flash-in-the-pan micro-genres like Euro-crunk and Digital Cumbia. The tracks that defined the show in its early incarnation can be found on the ‘Fat Planet – The 00s’ Spotify playlist, including M.I.A., Cansei De Ser Sexy, Konono No.1, Cornelius, Bonde Do Role, Shantel, Peter Bjorn & John, M83, Rachid Taha and more.
Before we get to the pointy end of 2018, here’s a Spotify recap of some of the best international sounds from last year – innovative global music culled from Fat Planet‘s 2017 playlist on Double J. Include Noga Erez, Waq Waq Kingdom, Farai, JFDR, Kedr Livanskiy, Sudan Archives, Juana Molina and more.
This week’s Ryuichi Sakamoto and Alvo Noto’s show at Sydney Opera House was challenging yet beautiful, and the perfect music for our times. Read my review at the Double J website.
Fat Planet is finishing 2017 in fine style this week, running through our Albums Of The Year. Getting them to fit in one program has been a herculean task, and the final contenders represent some of most innovative and original tracks being made around the world this year. Listen to tracks from each of these outstanding international albums on this week’s program and via the Spotify playlist below. See you in 2018!
FAT PLANET ALBUMS OF THE YEAR
(in alphabetical order…)
Björk’s latest album Utopia is a collaboration between the Icelandic artist and Venezuelan producer Alejandro Ghersi, also known as Arca. All of the 14 album tracks are credited solely to Björk and Ghersi, with one exception: the track ‘Features Creatures’ has a writing credit for Australian artist Sarah Hopkins.
Hopkins is a Queensland-based composer-performer, most well known for her work Past Life Melodies.
Björk’s voluminous catalogue contains thousands of curios for playlist fanatics. I am one those fanatics, an obsessive Bjork collector, endlessly shuffling my thirty-year compendium of Bjork-related tracks into various combinations, or stacking my complete collection of physical releases into increasingly idiosyncratic order.
In doing so, I know only too well that her discography can be sequenced in such a way to make any argument whatsoever about her work as a composer and producer. Bjork as studio genius, classical composer, dancefloor junkie, folk singer, remix devotee.
To celebrate the release of Utopia, I’ve created a unique Björk playlist, one that takes an intentionally subjective slice though her career.
When the good people at Double J asked me if I was interested in interviewing Björk, I thought they were having a laugh. The dismissive flick I gave them soon turned into a week of abject anxiety when it turned out they were for real. Last Friday, I got on the phone to Björk in Reykjavik and spoke to her for 30 minutes about Utopia, love and slapstick comedy. And you can hear that interview this Wednesday, 29 November, on Double J from 8pm AEST.
With a bevy of great festival announcements in the past week from Woodford, MOFO and Womadelaide, it can be hard to wade through all the names to find the hidden gems – but I’ve got you covered.
From a Japanese loop pedal ninja to the Tunisian Björk, there’s a wealth of global music talent on this summer’s festival lineups.
In this episode of Fat Planet, I talk to violinist, vocalist and producer Sudan Archives about the journey of discovery that led to her unique blend of African classical sounds, cutting-edge R&B and freewheeling electronics. We also hear an unreleased live recording of her Kendrick Lamar cover, ‘Queen Kunta’. Her debut self-titled EP is out now via Stones Throw.
Earlier this month, it was reported that there were no Australian artists in the local top 20 singles chart. In the same week, 70 percent of the US Billboard Chart was populated by American artists.
Now, compare that to Japan, the second biggest music market in the world, where 98 percent of all singles, and 76 percent of all albums, are sold are by Japanese artists. In an environment where physical sales are dwindling, Japan still has more record stores than any other country in the world, three times as many as the US.
This week on the Double J website, I spin through a few recent standouts from the Fat Planet program, from punk junk out of the Congo to retro sci-fi from Mumbai. Discover music from Kokoko (Democratic Republic of Congo), Combo Chimbita (Colombia / U.S.), Sid Vashi (India), The Heliocentrics (England / Slovakia) and Diron Animal (Angola).
The annual Eurovision Song Contest has nearly always scored nil points when it comes to credible artists belting out top-notch songs. Yet, there have been a few moments across the decades where it seemed like cool might prevail against the onslaught of kitsch.
I’ve selected a few well-known artists that put their career on the line in hope of a Eurovision win, and you can watch performances from all of those on the Double J website.
Often our knowledge of music from other countries is limited to what we might call ‘novelty’ acts – or those that seem so absurd to our Western ears, that they scream for attention. For example, can you name any Korean artist or song other than Psi and ‘Gangnam Style’?
Even Russia is not immune to the curse of the novelty. Perhaps their best known export is Pussy Riot, who rode to international attention on a wave of anti-Putin sentiment clad in balaclavas, smashing the oligarchy, patriarchy or any other kind of hierarchy they could stomp their boots on.
This week, Fat Planet returns to the radio after a multi-year hiatus – now broadcasting nationally on Double J on ABC Radio.
Every week, I’ll be introducing you to some of the great music from around the world – but it’s not a ‘world music’ show. If you’re unsure what that means, I’ve prepared some notes on a few new tracks that will kick off your Fat Planet journey just nicely.
Many moons ago, my radio program Fat Planet boomed out of the FBi Radio transmission tower, spreading a heady diet of brand new music from all around the world, and together we laughed and danced and cried and made merry for many years. Flash forward to 2017, and I’m super-stoked to tell you that Fat Planet is returning, with the same curatorial mission – to uncover vital sounds from music cultures around the globe. This time around, Fat Planet finds it home with the genius minds at Double J, and it all kicks off next Wednesday (18th January) 8pm.
This day, ten years ago, I was so very lucky enough to be part of a bunch of smart & beautiful people who got together to kickstart a little thing called FBi Radio. Happy 10th Birthday little Miss FBi, here’s to 100 more … It was also the week of the first Fat Planet radio show on FBi, and I’ll be on air again this Sunday at 5-7pm, replaying some of my favourite tracks from seven years of the show. Boom!
Fat Planet is coming to the end of its journey (for now…). Here’s the story: In August 2003, I started broadcasting the Fat Planet show on the (then) newly-birthed FBi Radio in Sydney. FBi was set up to take a unique view of Australian music, to reposition