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NEW MUSIC. Fat Planet on Spotify

Whilst Fat Planet without the Scottish banter is arguably a poor substitute, you can nonetheless now fire up a revolving & evolving playlist of program highlights on Spotify. Follow via link below.

Fat Planet on Double J – A Spotify Playlist

BACK CATALOGUE. The 50 most important female artists of the 90s

More 90s recall this week as Double J continues its month-long retrospective, asking the question ‘Was the 90s the greatest decade in music?’. This week’s list is my favourite of the three thus far, ‘The 50 most important female artists of the 90s‘;

I was asked to write about a few legends, and I even managed to stop hyperventilating to write something vaguely intelligible about the woman at #1.

BACK CATALOGUE. The 50 most overlooked songs of the 90s

Double J’s all-month-long 90s retrospective continues this week with another ‘Best Of’ list, sure to have a few of you wailing at both the inclusions and exclusions. ‘The 50 most overlooked songs of the 90s‘ includes a few contributions from me, including tunes from 808 StateCibo Matto (pictured), Transglobal UndergroundThe Justified Ancients of Mu Mu and GusGus.

BACK CATALOGUE. The 50 best Australian songs of the 90s

Was the 90s the greatest decade in music?

That’s the question Double J is asking all throughout June, as they go deep on the decade that shaped so many of us musically. There are charts galore as part of the 90s celebration, starting with ‘The 50 best Australian songs of the 90s’. Despite growing up in Scotland during the 90s, I wasn’t entirely oblivious to the Australian music scene. There were a few choice acts that made their way up and over the crest of the globe, but only one of my favourites has made its way into this particular ‘Best Of…’ list.

INTERVIEW. Israel’s Noga Erez brings the fire on her debut ‘Off The Radar’

In an interview originally broadcast on Fat Planet, I talk with politically charged Tel Aviv artist Noga Erez about the release of her phenomenal debut album Off The Radar – one of the best releases of 2017 thus far, channeling equal parts M.I.A., FKA Twigs, Flying Lotus and more.

BACK CATALOGUE. 5 moments when Eurovision was nearly cool

The annual Eurovision Song Contest has nearly always scored nil points when it comes to credible artists belting out top-notch songs. Yet, there have been a few moments across the decades where it seemed like cool might prevail against the onslaught of kitsch.

I’ve selected a few well-known artists that put their career on the line in hope of a Eurovision win, and you can watch performances from all of those on the Double J website.

NEW MUSIC. Russia’s finest shoegaze, coldwave and stoner metal

Often our knowledge of music from other countries is limited to what we might call ‘novelty’ acts – or those that seem so absurd to our Western ears, that they scream for attention.  For example, can you name any Korean artist or song other than Psi and ‘Gangnam Style’?

Even Russia is not immune to the curse of the novelty. Perhaps their best known export is Pussy Riot, who rode to international attention on a wave of anti-Putin sentiment clad in balaclavas, smashing the oligarchy, patriarchy or any other kind of hierarchy they could stomp their boots on.

NEW MUSIC. Taiwanese rap to Swedish psych: a 5 song intro to Fat Planet

This week, Fat Planet returns to the radio after a multi-year hiatus – now broadcasting nationally on Double J on ABC Radio.

Every week, I’ll be introducing you to some of the great music from around the world – but it’s not a ‘world music’ show. If you’re unsure what that means, I’ve prepared some notes on a few new tracks that will kick off your Fat Planet journey just nicely.

BACK CATALOGUE. Manuel Göttsching ‘E2-E4’

E2-E4 by Manuel Göttsching (Ash Ra Tempel); 60 minutes of freeform electronics and guitar, completely improvised & recorded (almost by accident) over the course of one evening in 1981 – and now regarded as one of the most important records of all time. A kick in the eye for the overthinkers.

NEWS. Fat Planet Returns – on Double J

Many moons ago, my radio program Fat Planet boomed out of the FBi Radio transmission tower, spreading a heady diet of brand new music from all around the world, and together we laughed and danced and cried and made merry for many years. Flash forward to 2017, and I’m super-stoked to tell you that Fat Planet is returning, with the same curatorial mission – to uncover vital sounds from music cultures around the globe. This time around, Fat Planet finds it home with the genius minds at Double J, and it all kicks off next Wednesday (18th January) 8pm.

NEW MUSIC. From Xiu Xiu and Twin Peaks, to freak-folk and makeshift shrines – My 2016 Moments In Music

Whilst contemplating some of my favourite music from 2016, I realised that a bullet list holds many secrets; that choices shared in public are often born of intimate moments. And so here a few such moments, tales that needed to be told, to cast much-needed light on the year gone by.

NEWS. Who The Hell Interview

“[It’s] frustrating and validating in equal measure … a process of recalibrating my own expectations. It’s a weird fucking time to be releasing music.”

I was interviewed by whothehell.net about Provenance and apparently I decided that it was cool to swear heaps.

Pretty Gritty – Of Most Excellent Provenance

Provenance teams up with Gail Priest’s Pretty Gritty event series for a live event featuring three artists from the label.

NEW MUSIC. Medicine Voice – ‘The Roman / Crossing The Fourth Threshold’

‘The Roman / Crossing The Fourth Threshold’ is the new single from Medicine Voice, the second track to be singled-out from the album ‘I And Thou‘ (out now on Provenance). To mark the moment, Medicine Voice has collaborated with artists Louisa Clayton and Kevina-Jo Smith on a beautiful new film clip, shot on location in the Blue Mountains.

NEWS. DJ Set at Neon Fern

Saturday 26 November I’ll be rolling out my Beau Kannon alias for a DJ set at Neon Fern a night of “dark techno, leftist pop and electronica”, and of course ferns. Taking place at Baroque in Katoomba, there are also sets from Melty, Ghostgirl (whose new album A.I. Ambient Intimacy was released earlier this week), Mannheim Rocket (3BS Records) and Broken Chip. Plus digital installations from Mark Sabb of U.S. online mag Felt Zine.  Tickets and info on Facebook.

NEW MUSIC. Aphir – ‘No Muse’

New on Provenance: The result of many long conversations and a mutual appreciation of the wisdom of Dale Cooper – the new single from Becki Whitton aka Aphir aka an artist who was once dubbed “equal parts Kate Bush and Bjork”. What’s not to love?

NEW MUSIC. Lovely Head – ‘Show Up’

Super-excited to finally release the excellent ‘Always’ EP from Lovely Head through Provenance – a six-track experimental pop EP from Sydney producer, ex-No Art guitarist & writer Vivian Huynh. Exploring themes of tension, distance and lust, ‘Always’ is a combination of desert guitar, misshapen beats and quiet longing. Available on digital and super-limited lathe cut 10” vinyl, shipped with full-colour sleeve print.

NEW MUSIC. New on Provenance – Lovely Head

Last year, when I started to think about the artists that I was keen to have in the Provenance family, Vivian Huynh was an early addition to the list. I loved No Art and was a superfan of her solo work as Lovely Head. I’m stoked that Viv agreed to come on board, and doubly stoked to be releasing her new Lovely Head EP ‘Always’ on 21st October.

Out From Under #25 – New music from My Disco, Garry Bradbury, John Chantler and more

The final episode of the first season of Out From Under is a mix of new music released in September 2016 featuring work from Severed Heads alumni Garry Bradbury and Room40 mainstay John Chantler; Regis takes on MY DISCO (pictured) in a remix for the Downwards label; Blake Freele & Sam Price drop a new collaboration; we tackle brute noise from Blut; and also hear new work from Panoptique Electrical, Pale Earth, Cooper Bowman, Harrow, H∃✖†⏄P∄, FATE ÆFFECT and Catfingers.

Out From Under #24 – Scattered Order & M-Squared (Part II)

In the second episode of a two-part Out From Under special, I talk to Mitchell Jones; founding member of both seminal Australian experimental band Scattered Order and the early 80s record label M-Squared which balanced the prevailing sounds of post-punk with lo-fi punk electronics and experimental explorations from a close knit community of artists.

Out From Under #23 – Scattered Order & M-Squared (Part I)

Whilst the legacies of post-punk, DIY electronics and proto industrial are widely known and documented in the UK and US scenes, their impact in an Australian context is less widely recognised. Bonding over the discovery of Cabaret Voltaire imports in Sydney record stores, Scattered Order formed in 1979 and gorged on a wide range of inputs to create a sound and visual aesthetic that was unique in Australia at the time. Together they also formed the label M Squared and fostered an impressive roster of bands such as Makers Of The Dead Travel Fast, Systematics and Ya Ya Choral.