Discontent – The End

If you’re still regularly checking back on the Discontent blog, then I commend you – it’s been quiet around these parts for some time, and it’s certainly showing some signs of neglect. This is not without good cause however – my focus has been almost entirely on developing the ‘New Weird Australia’ project, with the blog, netlabel, event series, radio show and podcasts all projecting a wide array of eclectic and experimental Australian music.

Inevitably, with such a high degree of activity, something has to give – and thus it’s time to draw an end to Discontent. I hope you’ve enjoyed listening to all of the mixtapes as much as I’ve enjoyed curating them. Additional thanks to all of the guest curators that have so kindly put a great deal of work into expanding our aural horizons with their own contributions to the series – please do take the time to leaf through the site and pick up on any that you might have missed.

Of course, the commitment to curating free music continues over at New Weird Australia – visit newweirdaustralia.com for our bimonthly free compilations.

Thanks for listening – see you on the other side.

New Weird Australia, Volume Six

(cross-posted from newweirdaustralia.com)

Curating and sequencing the New Weird Australia compilation series is a difficult business – underpinning each track-listing is a desire to present both a sense of cohesion and one of contrast. They might at first seem at polar opposites, but in fact it is the latter that provides the aural glue for the former – as we believe this latest volume clearly proves.

We open with a track that could only placed at the start – a statement of intent that clearly signals that all bets are indeed in the off position. Ambrose Chapel’s patient slice of epic drone metal takes nearly five minutes to introduce any percussive elements, by which point a growing sense of disorientation has already dislodged any preconceptions about what might follow. If you’re not already feeling paranoid by the end of track one, Jonny Telafone will certainly drive you there – signalling the end of the world in track two (happening sometime next year, apparently). However, his apocalyptic vision is tempered with an electro clarion call, insisting that we take a moment of heady refuge and get it on with whoever might be closest.

The contrasts and cohesion continues throughout the volume: Chrome Dome‘s furious, motorik rant against needy members of the opposite sex is juxtaposed with Wigwam‘s sweaty, stumbling percussion and mid-tempo tribal shuffle; Eastern Grey‘s lengthy, freeform piece pitches analogue machine against analogue machine in a squealing and unsettling battle for aural domination, whereas Isle Adore calms us all down with a perfect drop of experimental pop, culled from a sadly neglected album that richly deserves wider acclaim.

Nowhere is the yin / yang more obvious than in the closing couplet. Philip Sulidae‘s dense slab of black tar drone falls into Anna Chase‘s tempered closing shot of sparse vocals, guitar and accordion – all of which belies a fitting moment of quiet defiance, with Chase insisting that we’re simply “not going to take it any more”.

This line in the sand is an appropriate finale to Volume Six, and indeed to both Year One of New Weird Australia and our process to date. Our next releases will see a change in direction – with guest curators, thematic and genre-specific compilations and a new series of artist EPs, released free with limited CDs available on the side. A contrast to what has gone before, but nonetheless a cohesive and natural evolution to our new, weird, Australian story.

New Weird Australia Volume Six, June 2010, NWA006
DOWNLOAD AT BANDCAMP

1. AMBROSE CHAPEL, Black Lava (7:47) previously unreleased
2. JONNY TELAFONE, Stardate 2012.1221 (3:33) from ‘Rainbow Genesis’ (self-released)
3. CHROME DOME, She Said (1:13) from ‘Chrome Dome’ (Lexicon Devil)
4. WIGWAM, Ancient Path (3:31) from ‘Sweat Lodge’ (Badminton Bandit)
5. J NEWMAN & R SQUIRES, The Church Of Our Lady Of Pompeii (Excerpt) (3:50) from ‘Our Lady Of Pompeii’ (Gift Project Audio)
6. KYNAN TAN, Melt (4:44) from ‘Two Clouds’ (self-released)
7. TRJAEU, Hull (4:56) from ‘Home EP’ (self-released)
8. EASTERN GREY, 24-5 (9:23) previously unreleased
9. PANEYE, Staircases Under the Sea (3:20) from ‘Lying Under Moribund Waves’ (Secret Station Records / Butter People Records)
10. ISLE ADORE, Keep A Lid On (4:53) from ‘Perfect Dust’ (OWLS)
11. UNDERLAPPER, Elephant Shoe (2:51) previously unreleased, from forthcoming album ‘ Softly Harboured’
12. DANGER BEACH, Milky Way (2:02) previously unreleased
13. PHILIP SULIDAE, Dead Horse Gap (6:07) from ‘An High Land’ (dontcaresulidae)
14. ANNA CHASE, Lines (3:42) previously unreleased

Compiled by Stuart Buchanan.
Artwork by David Egan, www.badmintonbandit.com
Click artist title for background information and links.

New Weird Australia is a not-for-profit initiative designed to promote and support new eclectic and experimental Australian music. Our current projects include a free download compilation series, a weekly show on Sydney’s FBi Radio and an irregular program of live events. Contributions from Australian artists are welcomed and encouraged. 


Press:

Who The Bloody Hell Are They? “super rad blog / podcast / radio show that features the best and latest in experimental / electronic Australian music … a wonderful compilation … the strongest of the series so far.”

TripBase “without a shadow of a doubt, the best Australian-based experimental music site the Internet has to offer”