2007 saw the Australian release of Brazilian Amon Tobin’s studio album ‘The Foley Room’. as the title suggests, Tobin had worked to evolve from using vinyl sample sources to ‘found’ or ‘constructed’ sounds. It’s a huge testament to Tobin that the results remained defiantly accessible, and – unlike Herbert’s similar ‘Plate de Jour’ project – never fall into the realms of abstract sound art. The album, released through Ninja Tune, came with a documentary that documented the painstaking processes Tobin undertook in the construction of this record.
Tobin was in Sydney for a DJ show in January 2007, and I he joined me on the Fat Planet radio show to discuss ‘The Foley Room’ alongside his then recent soundtrack work on the Splinter Cell 3 video game.