Fat Planet – Annie (Norway) Interview

this fat planet podcast is taken from earlier this year when annie‘s anniemal album finally received an australian release. on the phone from norway, annie and i talked about finding inspiration in rave parties, metal, madonna and jap-pop; about how the album was nearly derailed following the death of collaborator tore andreas kroknes; and how pitchfork’s ‘single of the year’ award led to annie clocking up a guest list of over 7000 people in new york city.

to puff up the album release, annie rolled into sydney last week for a dj-set. sadly, i couldn’t make the dj gig, but by all accounts, annie should have left the decks well alone. ‘a series of train wrecks’ was one phrase being thrown around the morning after. there’s a downbeat review here. but i’m no hater, i love ‘anniemal’ – i just wish australia would get off the block quicker with such things.

DOWNLOAD: annie ‘chewing gum (fakeID remix)’

the above mp3 dropped onto the web this week – a bootleg re-rub of ‘chewing gum’ from bastard pop aficionado, fakeID. further web hunting reveals a couple of extra annie mp3 freebies. register at K7 and you’ll get the new track ‘the wedding’ from her dj kicks compilation (delve deeper into K7 to purchase a rare digital e.p. featuring a remix of this track from lindstrom). register again with 7 digital and you’ll cop the best of the three – the y$s productions remix of ‘always too late’, from the team who recently dropped mixes for m.i.a. and lady sovereign – ch-ching!

for your dollar, i advise a hunt for the patrick wolf remix of ‘always too late’ – of the many annie remixes around, this one bags the top spot.

Fat Planet – Filastine (U.S.) Interview

A ‘Fat Planet’ interview with Grey Filastine, originally broadcast on FBI Radio on 8th October 2006. Grey discusses his previous work with Tchkung! and his misadventures with the Infernal Noise Brigade, then bringing us up to speed with the genesis of Filastine and his audio travels around the world.

DOWNLOAD: FILASTINE judas goat (terror mix)

DOWNLOAD: FILASTINE figuig

regular readers will know i’m a fan of dj rupture (aka jace clayton) – undoubtedly at the forefront of marrying global sounds with radical contemporary production. think ‘afro house’ and then think of its exact polar opposite – and that’s where you’ll find rupture.

rupture‘s label soot has previously brought us egypt’s incomparable mutamassik as well as releases from japan’s ove naxxand jace’s own nettle project; and their next release comes from seattle-based solo producer filastine. having studied rhythms and worked with percussionists worldwide, filastine filters all those experiences into his new album ‘burn it’ (available now through boomkat).

short album samples on filastine’s site suggest that ‘burn it’ will deliver a diverse mix of hip hop, broken beat, ragga and deep electronic dub, all fused together with vocal samples and field recordings that represent an incredible diversity of music from around the world. note, once more, the term ‘world music’ does not apply.

the above remix of ‘judas goat’ kicks off with a feeling that you’re falling into a deep mantra, reflecting on bush’s ‘war on terror’ – and as you’re drifting through that elongated moment of discovery, filastine’s drops a mix of heavy dub (double-)basslines and eastern percussion and pipes. the original version of the track can be found on a recently released soot 7″, b/w a dubhop excursion with sweet french vocals (clip).

the second mp3 comes via comfort stand, described as a “community-driven label where all releases are free … striving to bring you recordings that we find interesting, compelling and downright enjoyable. everybody needs free music.” well said. the mp3 album is called ‘people doing strange things with electricity too‘ and is 25 tracks of artists that i’ve never heard of. i sense of morning-worth of downloading approaching.

more filastine: check out parts one and two of his mix as part of sonar calibrado (with maga bo), and this field recording entitled ‘mob destroys bank in argentina’.